BLEASS SampleWiz 2 vs TROOPER Synthesizer Usage & Stats

Born of the imagination of legendary keyboardist Jordan Rudess and the software engineering excellence of French audio developer BLEASS, SampleWiz 2 is a unique and powerful S&S (sample & synthesis) instrument. BLEASS SampleWiz 2 combines modern features such as granular and cloud sample engines, MPE, and iOS/desktop interoperability, with the satisfying, rapid workflow of classic hardware samplers. Over a career spanning more than 40 years (and counting), Jordan Rudess has built a formidable reputation. His exquisite skills as a keyboardist have graced the recordings and tours of Dream Theater, David Bowie, Liquid Tension Experiment and Rod Morgenstein to name but a few. Jordan is also recognised as something of a savant in the world of sound design, and has collaborated over many years with synth manufacturers such as Korg, Moog and IK Multimedia. And as if that weren’t enough feathers for one cap, Jordan is a pioneer in the use of iOS in music creation and performance, and has worked on numerous groundbreaking music apps over the last decade, for example Geoshred and Morphwiz. With SampleWiz 2, BLEASS has distilled the phenomenal breadth and depth of Jordan’s expertise and experience into an intuitive synthesizer that will unleash your sonic imagination, inspiring both your musical and sound design creativity. With just a few swipes of your finger, or a couple of clicks of your mouse, you can easily capture any sound or import any sample – a few more swipes/clicks will transform your sound into a playable, characterful synth voice. And with full support for MPE Slide and Pressure, SampleWiz 2 allows you to create nuanced and deeply expressive performances. With its unique iOS / desktop interoperability, BLEASS SampleWiz 2 fits in with your way of creating and performing too. You can capture and work on sounds whilst out-and-about using the iOS App or AUv3 plugin, then transfer your creation to your computer via AirPlay or iCloud where you can incorporate it into a bigger project. Conversely, you can take a favourite sound from your Windows or Mac computer and transfer it to your iPad or iPhone ready for use in a live performance, where you to take full advantage of the iOS version’s intuitive touch screen performance controls. Creating original sounds with BLEASS SampleWiz 2 is as easy and fun as it is to load and play presets. The UI has been carefully designed to give a natural, intuitive workflow, with delightfully simple sampling or import of sounds, and a comprehensive suite of tools for chopping, granularizing, modulating, and adding effects to your sound designs. BLEASS SampleWiz 2 is available for iOS & Desktop. For more information, visit https://www.bleass.com/samplewiz2/

Apple App Store
Paid
Music

Store Rank

- -

TROOPER Synthesizer

Thick basses, buttery leads, feathery pads — Trooper is a total synth explosion that crams it all and more in a neat little package. It sounds HUGE, yet tweaks easy. It’s coated in analog “fat,” yet bursts with tonal surprises nestled across its controls. Get ready for an all-out sonic assault, because Trooper is here and it's our meanest, beastliest, user-friendliest synth yet! Many of Trooper’s parameters are meant to interact and meld together in novel ways. For example, the oscillator volumes —beyond just acting as mere blend knobs— vary the characteristics of the basic signal depending on how far they are “pushed". The emphasis is on providing warm and round basic tones with lots of variable harmonic content. The primary oscillators are backed by an audible LFO that is both a sound source and a wide frequency range modulator. This lets FM-based sounds to combine with traditional waveforms. A pink/white noise generator helps out pads and percussions, and insidiously changes tonality when added in small amounts. A new filter implementation complements the pugnacity of the signal generators. In its middish settings, the resonance can be characterized as “throaty.” The filter is capable of self-oscillating, and can be controlled via the keyboard. The mated ADSR envelope is shaped to provide tonal ‘immediacy’ and smooth frequency shifts. The amount knob has a wide range that changes the feel and shape of the envelope, especially when pushed above the mid-level. The output stage features a virtual VCA that imparts tones colloquially termed as “fat”. Extra modulation is provided by a non-audible LFO and a dedicated envelope. The LFO offers numerous wave shapes, BPM syncing, and key tracking. Its output is controllable via the mod wheel, velocity, or aftertouch. The Esprit parameter helps deploy some of the Trooper “special sauce.” Highly interactive with the stages preceding it, Esprit is known to be handy in tightening up bass tones, and in adding the "je nais se quois” to presets at large. The Get6 parameter is a one-touch ticket to big, mix-filling synth sounds. So whenever you’re lost in an empty mix…it’s got your six. The arpeggiator inspires rhythms with five algorithms, variable note value, octave range, and gate. The “Texturizer" purveys a wide range of modulation effects that include chorus, flanging, variable comb, resonant delay, and stereo imaging. The BPM-syncable two-tap delay has time and feedback controls per channel, and is tuned a little darker than our usual offerings. Trooper can run in monophonic or polyphonic mode, the latter providing up to 12 voices. Legato is available in either mode. The robust MIDI implementation also includes MPE support, and the synth is able to I/O MIDI performance data. The “MagTouch” virtual controller lets you to play and record (in AUv3 hosts so enabled) over the MPE protocol. MIDI learn is made easy via a visual interface, and users can save, patch-link, and share MIDI CC maps. Bluetooth MIDI input is also supported. The AUv3 implementation lets you to run multiple instances of Trooper in DAWs. Trooper’s fluid UI accommodates a wide variety of screen sizes and view configurations. Feature navigation is designed to be nonintrusive so that parameters can be accessed easily. The iPad implementation supports portrait layout, so that pretty much all is on one screen. Included are over 250 presets that range from deep basses to weird so-and-so's, stopping by many other sounds along the way. The powerful YPAT2 system helps you save, catalog, and share presets with ease. The standalone app provides a “Tapedeck” to record, save, and share your ideas on the quick. It features a built-in looper, and a metronome with configurable time signature. The standalone also features tap tempo, and MIDI clock syncing. DSP is in high resolution 64-bit, with native processing at up to 96kHz.