AudioScope vs FAC Medusa Usage & Stats

AudioScope is an invaluable audio plugin for mixing and mastering with a toolbox of additional mixing aids. It was originally created as a method for comparing your mix to a reference track and seeing exactly what frequencies to tweak in order to obtain a desired match. This alone is incredibly useful for creating the feel of a particular genre of music, by tweaking your mix to match. AudioScope is so much more than this! It includes a great visual mixer which enables you control your entire mix from a single window inside your DAW. You see a top-down visualisation of your entire mix and stereo balance. You can save up to 3 compare mixes and quickly switch between them. You can also save up to 12 snapshots of stereo positions and levels, then morph between them. All of this functionality is available via MIDI, so with one simple CC command, you can switch out one mix for another or engage a snapshot. You are able to group your drums and other elements so that the mix doesn't become overwhelming, allowing you to focus on a subset of key elements if you wish. AudioScope also includes a suite of tools to adjust EQ, compression, and overall balance of your mix. The way AudioScope works is unique, with a quick and easy workflow: Insert an instance of AudioScope on each of your track's Insert Effect slot and name the track. Now simply open one of the instances and you have the ability to control all tracks from a single window. AudioScope is equiped with its own shelf and peak filters, EQ and lookahead compressor (with Sidechain). You can find demonstrations and tutorials for this and all my apps on the 'Paul the MusicMan' YouTube channel. Features: ○ Take control of your host DAW using a single simple interface. ○ Compare your master mixes frequency response to a reference track for a given genre. ○ Compare tracks to see which frequency ranges are problematic graphically. ○ Control your DAW's entire mix from a single 2D live mixer. ○ Change the EQ of each track quickly and easily from a single window. ○ Includes the ability to add low and high shelf filters to each track. ○ Add up to 3 parameteric EQ's to each track to cut or boost frequency ranges. ○ Enable the internal look ahead sidechain compressor. ○ Capture up to 3 compare mixes and preview in real time. ○ Create up to 12 snapshots and fade from one to another. ○ Invert the phase of tracks to avoid phasing issues. ○ Remove DC option to remove unwanted noise and rumble below 60Hz. ○ Instant Pass Thru to bypass all instances of AudioScope. ○ Mix lock to prevent accidental changes to your mix. ○ Monitor up to 32 tracks at once.
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• Gentle, natural, or aggressive and colorful compressor • Combine different dynamic processors into a single and easy to use unit • 3-Band input tone controls with adjustable crossovers and saturators • Split/Sum frequency bands before compression • Two dynamic controls: Downward or Upward • Range and knee controls to limit compression depth • Parallel compression and master Brickwall limiter • Sidechain and multi-outs support • Precise metering with decibel values • Advanced Responsive Design, portrait and landscape views • AuV3 for iOS (iPad/iPhone) Compressors are probably the most used audio processors and you surely know what it's all about and how it can help to control the dynamic range of your audio signal. So let's get straight to what makes FAC Medusa a new versatile and characterful compressor! FAC Medusa combines different dynamic processors into a single and easy to use unit, the input signal flows along the following stages: 1) "Pre-amp with tone control and saturation circuit" The input signal is split into three bands of frequencies (Low, Mid and High) according two adjustable crossover points. Setting the level and the saturation amount of each frequency band will definitely make the effect more natural or characterful. 2) "Compression" In addition to the usual controls you may expect, FAC Medusa also provides two types of compression. Downward compression, which is obviously the most common, decreases the level of audio signal above the threshold. And also Upward compression which is less known, despite powerful, and increases the level of audio signal below the threshold. The compression can operate either on the SUM of the frequency bands (L+M+H) or on each frequency band coming from stage 1. 3) "Parallel compression and Brickwall limiter" The master Brickwall limiter is optional and will ensure that the output of stage 2, possibly blended with the original audio signal, remain under control. The limiter comes with threshold and release time controls. As you have realized FAC Medusa has many faces: gentle, natural, or aggressive and colorful. Choose the one you want and be prepared for an exciting sound design experience. Whether you are a budding music producer or passionate amateur musician in any genre, you will definitely find a happy use for it! - AuV3 and Standalone App - To use the sidechain and/or to output the additional three bands, you need a host able to provide to the AuV3 an input bus and three additional output busses The documentation is available at fredantoncorvest.com/FAC_Medusa.html
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AudioScope VS.
FAC Medusa

December 26, 2024