OtherDesertCities vs Hilda Synthesizer Usage & Stats

Other Desert Cities, named after a famous sign on the I-10 highway leaving Los Angeles, is a workshop for creativity. As its namesake implies, there are many strange and wonderful things lurking inside. With six algorithms, each with its own unique personality, and extensive modulation capabilities, Other Desert Cities can fill multiple niches, from basic stereo dual delays to never-before-heard granular pitch-shifting chaos. Algorithms Desert Shores Stereo Delay. This is a standard dual delay, with basic EQ, saturation, crossfeed, and spread. Mecca Reverse Delay. A normal dual delay, except the repeats play backwards. Cactus Dual-Delta Delay. This is more like a pair of tape delays in use, with individual speed controls and pitch quantizing. Thermal Mullti-Tap Delay. A dual multi-tap, with spread, crossfeed, and basic EQ. Mirage Multi-Head Delay. Imagine if you had a tape delay, but the head was like the rotating head in a VCR. Experimental, strange, and wonderful. Sky Valley Granular Delay. A pitch-shifting granular delay, with control over grain size and scatter, and with EQ.Algorithms: Modulation Other Desert Cities includes a full suite of modulation. Using two tempo-synced variable waveshape LFOs and an envelope follower sourced by either the main inputs or a sidechain input, nearly every control in the entire user interface can be modulated extensively, opening up new dimensions of sonic possibility. Diffusor Other Desert Cities also includes a diffusor, for "smearing" the feedback path, and bringing ODC near the realm of reverb (especially with the Thermal multi-tap algorithm.) Levels Other Desert Cities' secret superpower is its I/O control. Every aspect of the signal chain's gain structure can be controlled and modulated. You don't have to wish for ducking in this delay. Anything can be ducked, panned, oscillated, enveloped, and controlled to your heart's content. Note that the Mute and Input Level controls are input levels to the delay block and do not affect the dry signal; this enables "tails" behavior, and the ability to use an insert effect like a send.
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Hilda is a Complex Oscillator Monosynth, inspired by the most interesting aspects of both west-coast and east-coast synthesis techniques. You'll find a wave folder, lowpass gate, and audio-rate modulations, but also a 12-mode filter and traditional VCA circuit. All parts of the instrument are carefully circuit-modelled to sound as analog (or digital, where applicable) as possible. It's like a best-of-all-worlds semi modular synth, but without the patch cables. The unique mix of different synthesis components adds up to a unique sounding electronic instrument, which can be used as a playable synthesizer, a MIDI sequencer and an audio effect for external audio - or any combination of those three. - Full Audio Unit compatibility (AUv3 instrument, audio effect and MIDI processor modes supported) - Universal design (iPhone and iPad; iPad Air 2 or higher recommended) - Built-in analog style 16 Step MIDI Sequencer with custom scales - 12 mode filter, based on the Oberheim Xpander design - Drone mode lets you [partially] bypass the VCA/LPG and just go with the flow - DIY Lo-Fi digital delay circuit emulation - Live pads with effects that can be triggered via the UI (or via exposed AU Parameters) - All synth settings exposed a AU Parameters (for automation and MIDI learning in your host of choice) - MIDI Processor plugin mode disables synth to save CPU - Carefully handcrafted by yours truly, to capture the essence of my love for tinkering and experimenting with sound :-) Find the user manual on ruismaker.com
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OtherDesertCities VS.
Hilda Synthesizer

December 14, 2024