SynthMaster 2 vs TROOPER Synthesizer Usage & Stats

KV331 Audio is proud to announce the availability of their award winning software synthesizer SynthMaster 2.9 on iOS platform. As being the first app developed using KV331 Audio’s new cross-platform UI framework, SynthMaster 2 runs as a standalone app or AUv3 plugin on iPads with iOS 11 and above. SynthMaster 2 supports native resolutions of various iPad devices. User interfaces are provided for 9.7, 11 and 12.9 inch iPads in 4 different skins (Blue, White, Dark, Proto). Separate interfaces are provided for the AudioUnit plugin as well. SynthMaster 2 comes with 1000 factory presets designed by world class sound designers such as BigTone, Nori Ubukata, NatLife and Yuli Yolo. Thanks to the comprehensive preset browsing features, users can easily filter presets by author name, bank name, instrument type or preset name and find the sounds that they are looking for. There’s also an IAP Shop, which lets users purchase additional sounds: 1. "Desktop Presets Upgrade": This IAP adds all factory presets in SynthMaster 2.9, increasing the total preset count to 2000. 2. "All Expansions Bundle": This IAP adds all current 38 SynthMaster preset expansion banks. Sound Engine: At the heart of SynthMaster 2’s powerful sound engine lies its oscillators, modulators, and filters. Oscillators: The oscillators can operate in 4 different modes to generate sound: 1. In Basic mode, the oscillator plays single cycle waveforms or samples. With the Oscillator Unison turned on, up to 8 voices per oscillator can be played. 2. In Additive mode, 8 Basic oscillators can be stacked up to create richer tones. 3. In Wavetable mode, the oscillator can play wavetables with up to 256 frames. 4. In Vector mode, 4 Basic oscillators are mixed in 2 dimensions. Modulators: Modulators are simply basic oscillators that can be added to other oscillators or modulate other oscillators’ or modulators’ phases. By connecting modulators to other oscillators or modulators, complex FM tones can be synthesized. Importing Wave Files into SynthMaster: While designing sounds, users can easily import wave files into SynthMaster 2. SynthMaster 2 can categorize those files into waveforms, wavetables or multi samples and import them accordingly. Filters: Once the sound is generated by the oscillators it goes through SynthMaster’s filters, which can operate in 6 different categories: Digital, VAnalog, Ladder, Diode Ladder, State Variable and Bite. Custom distortion can be applied before or after the filters as well. Modulation Architecture: SynthMaster 2 features a comprehensive modulation architecture with a wide range of modulation sources: 1. MIDI controls 2. Macros controls 3. 4 ADSR envelopes per layer 4. 4 Multisegmented envelopes per payer 5. 4 LFOs per layer 6. 4 Sequencers per layer 7. 4 Keyscalers per layer There’s real-time visual feedback that lets users see how modulation sources and targets are changing when a note is being played. This is extremely helpful when designing sounds with SynthMaster 2. New modulations can be created easily by dragging and dropping a modulation source onto a knob or slider control. Users can easily see which controls are modulated by a modulation source by clicking on that source. Controls that are being modulated by that source will display modulation amounts. By long pressing a control, the modulation amount can be edited without the need to go through the mod matrix. Arp/Sequencer: SynthMaster features a comprehensive arpeggiator / sequencer with 32 steps. Users can easily create sequences by recording steps one by one. Effects: Each of the 2 layers in SynthMaster has 5 insert effect slots. 13 different types of effects can be instantiated in any of those slots. There are also 2 global effect send busses which can be used to create more complex effect routings.
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Thick basses, buttery leads, feathery pads — Trooper is a total synth explosion that crams it all and more in a neat little package. It sounds HUGE, yet tweaks easy. It’s coated in analog “fat,” yet bursts with tonal surprises nestled across its controls. Get ready for an all-out sonic assault, because Trooper is here and it's our meanest, beastliest, user-friendliest synth yet! Many of Trooper’s parameters are meant to interact and meld together in novel ways. For example, the oscillator volumes —beyond just acting as mere blend knobs— vary the characteristics of the basic signal depending on how far they are “pushed". The emphasis is on providing warm and round basic tones with lots of variable harmonic content. The primary oscillators are backed by an audible LFO that is both a sound source and a wide frequency range modulator. This lets FM-based sounds to combine with traditional waveforms. A pink/white noise generator helps out pads and percussions, and insidiously changes tonality when added in small amounts. A new filter implementation complements the pugnacity of the signal generators. In its middish settings, the resonance can be characterized as “throaty.” The filter is capable of self-oscillating, and can be controlled via the keyboard. The mated ADSR envelope is shaped to provide tonal ‘immediacy’ and smooth frequency shifts. The amount knob has a wide range that changes the feel and shape of the envelope, especially when pushed above the mid-level. The output stage features a virtual VCA that imparts tones colloquially termed as “fat”. Extra modulation is provided by a non-audible LFO and a dedicated envelope. The LFO offers numerous wave shapes, BPM syncing, and key tracking. Its output is controllable via the mod wheel, velocity, or aftertouch. The Esprit parameter helps deploy some of the Trooper “special sauce.” Highly interactive with the stages preceding it, Esprit is known to be handy in tightening up bass tones, and in adding the "je nais se quois” to presets at large. The Get6 parameter is a one-touch ticket to big, mix-filling synth sounds. So whenever you’re lost in an empty mix…it’s got your six. The arpeggiator inspires rhythms with five algorithms, variable note value, octave range, and gate. The “Texturizer" purveys a wide range of modulation effects that include chorus, flanging, variable comb, resonant delay, and stereo imaging. The BPM-syncable two-tap delay has time and feedback controls per channel, and is tuned a little darker than our usual offerings. Trooper can run in monophonic or polyphonic mode, the latter providing up to 12 voices. Legato is available in either mode. The robust MIDI implementation also includes MPE support, and the synth is able to I/O MIDI performance data. The “MagTouch” virtual controller lets you to play and record (in AUv3 hosts so enabled) over the MPE protocol. MIDI learn is made easy via a visual interface, and users can save, patch-link, and share MIDI CC maps. Bluetooth MIDI input is also supported. The AUv3 implementation lets you to run multiple instances of Trooper in DAWs. Trooper’s fluid UI accommodates a wide variety of screen sizes and view configurations. Feature navigation is designed to be nonintrusive so that parameters can be accessed easily. The iPad implementation supports portrait layout, so that pretty much all is on one screen. Included are over 250 presets that range from deep basses to weird so-and-so's, stopping by many other sounds along the way. The powerful YPAT2 system helps you save, catalog, and share presets with ease. The standalone app provides a “Tapedeck” to record, save, and share your ideas on the quick. It features a built-in looper, and a metronome with configurable time signature. The standalone also features tap tempo, and MIDI clock syncing. DSP is in high resolution 64-bit, with native processing at up to 96kHz.
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  • Paid
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SynthMaster 2 vs. TROOPER Synthesizer ranking comparison

Compare SynthMaster 2 ranking trend in the past 28 days vs. TROOPER Synthesizer

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SynthMaster 2 VS.
TROOPER Synthesizer

December 14, 2024