TriceraChorus vs BLEASS Phaser Usage & Stats
TriceraChorus is inspired by the classic tri-choruses and stompbox choruses of the 1970s and early 1980s. It pairs rich BBD style tri-chorusing with another classic effect of the 1980s: Eventide micro-pitch detuning. This effect can be used to thicken the sound, to add static chorusing, and to spread the stereo field by detuning the left and right signals in opposite directions. Combine these tools to create syrupy, smooth, and deep modulations on anything from flat synths and strings, to dry vocals, guitars, and more. The TriceraChorus effect was designed to inspire experimentation with a UI optimized for live performance. Whether on your iPad or iPhone, TriceraChorus will expand your sonic pallet.
TriceraChorus has three chorus voices: Left, Center, and Right. A three-phase LFO modulates the delay times for these voices. The combination of the three modulated delays creates rich chorus sounds that are reminiscent of gear from the 70s and 80s. For a classic chorus stompbox sound, set TriceraChorus to “Chorus" mode. If you need something with more complexity and depth, “Chorale” produces lush, swirling choruses inspired by classic rackmount tri-chorus units. For a more psychedelic aesthetic try out “Swirl."
Use RIBBON to play or automate sweeps between different settings. Wielding this intuitive performance macro can be great for intensifying the depth of flange-like settings, changing the rate of modulation for transitional effects, or simply controlling the Mix parameters for momentary performance flourishes. For added live benefit, jump immediately from one setting to another using HOTSWITCH. RIBBON and HOTSWITCH settings are saved per-preset providing great flexibility in exploring the range of possibilities with TriceraChorus.
Features
- Three voice, Bucket Brigade style stereo Tri-chorus.
- CHORUS Mode evokes the chorusing effect created by classic chorus stompboxes.
- CHORALE Mode produces lush, swirling choruses inspired by classic rackmount tri-chorus units.
- DEPTH controls the amount of modulation applied to the 3 voices from the LFO.
- DETUNE the left and right channels simultaneously by +/- 40 cents.
- DELAY sets the amount of delay for the chorusing effect; use it to thicken your signal, create a flange, or slap-back sound.
- SWIRL adds stereo frequency shifting for a psychedelic flange-like flavor.
- TONE for shaping the high and low end of your signal. Remove muddy low frequencies or roll of high frequencies for a darker sound.
- RIBBON lets you sweep the effect between two different settings.
- Available as an Audio Units AUv3 plug-in and Standalone App.
- Apple App Store
- Paid
- Music
Store Rank
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BLEASS Phaser is an all-encompassing phasing effect which offers a vast array of sonic possibilities, from resonant swirls to stunning atmospheric stereo sounds.
A colorful and magnetizing Spectrum View coincides with the notch frequencies, and brings an instantly pleasing sonic and optic effect into the sound design process.
Popularised by everyone from Queen to Chromeo, Jean-Michel Jarre to Tame Impala, the phaser effect is great for many instruments such as synthesizer, guitar, bass, and vocals.
No modulation collection would be complete without a phaser. This is why BLEASS Phaser delivers at the same time all of the classic phasing effects through 40 refined presets as well as a large pull of stereo functionalities and interweaving modulations thanks to its frequency & spread LFOs, as well as a precise control over the stereo.
TECHNICAL SPECIFICATIONS:
The phaser effect processes the signal through successive all-pass filters and adds the resulting signal to the original to create phase cancellation around certain frequencies (notches). A feedback loop reinjects a certain amount of the processed signal back into the filters chain.
PHASER stage:
- Notches: sets the number of all-pass filters, adding a filter creates a new notch in the signal’s spectrum. Notches count can go from 1 to 24.
- Frequency: sets the center frequency of the phaser (the frequency of the all-pass filters).
- Spread: sets the spacing between the notches by changing the Q factor of the filters.
- Feedback: sets the amount of processed signal reinjected into the filters chain. Feedback can be negative.
- Feedback Color: sets the frequency of a low-pass filter applied to the feedback signal.
- Spectrum: a spectrum view representing the estimated frequency position of the notches. Touching this view will adjust the center frequency.
FREQUENCY LFO & SPREAD LFO stages:
Sine LFOs that modulate the center frequency and the spread parameter of the phaser.
- Sync: sets the sync state between BEAT (synchronised with the host transport and tempo) and FREE.
- Shape: sets the shape of the LFO between Sine and Triangle.
- Rate: sets the LFO rate in Hertz if Sync is set to Free or in fraction of a bar if Sync is set to Beat.
- Phase: sets the phase difference between left and right channels.
- Amount: sets the amplitude of the LFO.
MIX stage:
- Depth: sets the mix between the dry input signal and the signal processed through the filters. When Depth is set at 100%, both signals are at the same level.
- Apple App Store
- Paid
- Music
Store Rank
- -
TriceraChorus VS. 
BLEASS PhaserJanuary 18, 2025