Popsicle FX vs BLEASS Omega Usage & Stats

Popsicle is a Multi Effects Processor built around 2 independent stereo effects engines each having access to a total of 24 different effect algorithms. Effect engines can be used in series or parallel configuration or split between stereo channels where one is affecting the left channel while the other one is affecting the right channel respectively. Popsicle features a powerful XY Pad capable of controlling one or more fx parameters per axis. XY motion can be recorded and played back in sync with the host tempo allowing for highly dynamic effects. In addition, a advanced mode unlocks a fully featured mod-matrix with an additional LFO and Envelope Follower allowing for even more dynamic effect combinations and performances. Included Effects: - Lowpass Filter - Highpass Filter - Bandpass Filter - Morphing Filter - Formant Filter - Comb Filter - Echo - BPM Delay - Short Delay - Reverse Delay - Stutter - Chorus - Flanger - Phaser - Tremolo - Auto Pan - Vibrato - Bitcrush - Distortion - Fuzz - Pitch Shift - Plate Verb - Hall Verb - Mod Verb Supports: - Standalone - AUv3

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BLEASS Omega

If you think FM Synthesis is complicated, it’s time to think again! BLEASS Omega places all of the sparkle, character, nuance and dynamic expressiveness of FM Synthesis at your fingertips, and does away with the arcane programming interfaces so often associated with FM. Harnessing BLEASS’ signature GUI technology, creating and crafting sounds in Omega is not just easier than with other FM synths, it’s easy – PERIOD! All of the classic capabilities of FM Synthesis are available in BLEASS Omega – expressive electric pianos, deep thundering basses, crystal-clear pads, sparkling bells, and soulful leads. And thanks to the instrument’s analogue-style Waveshaper and multi-mode Filter, BLEASS Omega can inject powerful analogue-like flavour into those pure FM tones, giving searing filter sweeps, growling distortions, and harmonically-rich resonances. The four FM operators that sit at the heart of BLEASS Omega are edited simultaneously from within a single screen, with all operator envelopes and controls available to the touch of your finger. This amazingly user-friendly approach makes light work of sound editing, and encourages experimentation and exploration in a way no other FM synth can achieve. With eleven FM algorithms on offer, each providing a different way of interconnecting the four operators for radically different results, the sonic scope of BLEASS Omega is vast. The included library of over 200 professionally designed presets makes full use of this versatility, furnishing you with a varied and inspirational sound palette to use in your music making and sound design projects. BLEASS Omega fits in with your workflow and studio setup, no matter how you like to create. The iOS edition provides both standalone and AUv3 versions for use on iPad and iPhone, whilst the desktop edition for Windows and macOS comes as a VST3/AU plugin instrument, compatible with all major DAWs. More information, tutorials and specifications on https://www.bleass.com/omega/