tardigrain vs Gauss Field Looper Usage & Stats

Tardigrain is a granular synthesiser for iOS that runs standalone or as an AU plugin. Sounds are created by taking smaller fragments of a sample and playing them back in a non linear fashion, with settings for grain size, direction, step size and more. Process the sound further through effects like reverb, wave shaper and sample crush. Tardigrain supports connections with AudioCopy, AudioBus, Inter App Audio and AUv3. Plus all audio parameters can be modulated by MIDI, as AU parameters and by aftertouch on the build in keyboard. Now also a selected set of parameters can be modulated by LFOs och notes triggered by a new sequencer/arpeggiator. +++ Record your own samples or import using AudioCopy/drag'n drop +++ Chromatic granualar playpack +++ Effects (Wave shaper, Reverb, Sample crusher, Pitch and stereo spread) +++ Resonant filter (low, band and high pass) +++ Keyboard and MPE modulation of any audio parameters +++ Note trigger sequencer/arpeggiator +++ 4 LFO sources for modulating a selected set of parameters +++ Multiple factory presets to get you started +++ Save and load your own settings and samples +++ Inter App Audio, AudioBus and AUv3 +++ Core MIDI, Inter App Audio MIDI and AUv3 MIDI

Apple App Store
Paid
Music

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Gauss Field Looper

Co-designed with Berlin-based electronic musician Hainbach, Gauss brings the oldschool tape-looping art form to mobile devices. This creative field looper works both standalone and as an Audio Unit effect plugin and puts the possibilities of using looped tapes in your hands. Without the need for scissors. Like real tape loops Gauss takes you off the grid of your DAW: you can adjust tape speed and direction, even during recording. The flow of your loops will drift organically as the tape follows its own cyclical timeline. Use overdub, or even multiple instances of the Audio Unit plugin, to create multi-layered ever changing sonic palettes. We want this app to be a celebration of digital audio technology, so when audio quality is degraded it will do so in a pleasingly crunchy digital way. For example, recording on low tape speeds will give you longer recording time, but at the cost (or pleasure) of a distinctively lower recording quality. So Gauss mimics the behaviour - not the sound - of magnetic tape. Set the length of the tape, record and overdub your audio, play around with tape speeds; Gauss captures the essence of two ends of tape stuck together in all its unsynchronised, free-running glory. There's even a unique built-in 4-step polyrhythmic sequencer for sequencing tape-speed changes. - designed as a standalone field recorder and an Audio Unit effect plugin (AUv3) in one package - universal app: plugin and standalone work on all iDevices, iOS11 and higher - variable tape speed; seamlessly change direction and speed during playback or recording - 4-step sequencer lets you trigger (polyrhythmic) tape-speed changes in sync with your host tempo - variable inertia for the tape drive motors (from instant to very slow speed changes) - built-in multi-mode filter with LFO modulation - delay effect with optional host-sync mode - “1989” mode uses a special 8 bit/11KHz tape head for a last-century vintage digital sound - 45 seconds maximum loop size at 1x speed, proportionally longer at lower speeds (.e.g 90 seconds at half speed, etc.) - overdub at any speed or tape direction - plugin supports global cross-host preset handling (requires iOS13+, compatible AUv3 host) Find the user manual at ruismaker.com