Unexpected Growth 與 kin_ 使用情況與統計

"Unexpected Growth," by Tamiko Thiel (with /p), is a geolocative, site specific augmented reality art installation commissioned by the Whitney Museum of American Art in New York. It premiered in the exhibition "Programmed: Rules, Codes, and Choreographies in Art, 1965–2018," from September 28, 2018 - April 14, 2019. To experience it, download the „Unexpected Growth“ app to your own smartphone, go onto the Whitney Museum 6th floor terrace and look around the terrace in the display of this app. You will find yourself surrounded by a coral reef, as if the sea water levels have risen to inundate the entire Whitney Museum under water. Occasional waves seem to sweep the corals back and forth - they have become mobile, to better respond to changing climate conditions. In nature, many corals are self-similar structures following simple, repetitive rules of growth, which can often be described as mathematical „Lindenmayer systems.“ Here, you can see that the corals are forming these Lindenmayer systems out of plastic waste. Is this our future, as plastic waste becomes more numerous than the fish in the sea? Construction and use of smartphones is also a factor contributing to global climate change. As more and more visitors view the corals at the Whitney, their colors slowly bleach to white. Only after many hours of rest from the mediated human gaze will the corals regain their vibrant colors.
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›kin_‹ is a performative dance piece by Charlotte Triebus exploring human corporeality with digital technology. One to three avatars move in augmented space and can be approached and experienced via your own mobile device. You are invited to join reality entanglements and its distortions, to sense alien intimacy and the fine line between observation and surveillance. Between agency, connection and interaction, the avatar dancers react to proximity and distance, movement and wind impulses. Together with its follow-up ›proxy‹ it brings Performance Art right to your finger tips. For the interactive, binaural soundtrack and reactive costumes, Charlotte Triebus has been collaborating with composer Brigitta Muntendorf as well as digital make-up artist Inès Alpha. ›kin_‹ has been developed and scientifically supported by MIREVI Lab (University of Applied Science Düsseldorf). ›kin_‹ has premiered in August 2021 and has travelled the world since. Whether at your home, in open space, at Slamdance Festival in Saltlake City, at CCCB Barcelona or at NRW Forum in Düsseldorf – ›kin_‹ has been part of plenty of festivals, conferences and exhibitions with several international awards won, proving that the performance is experienced literally anywhere on Earth. The exact exhibition venues can be found in the event calendar on the serie’s website www.kin.dance, which is also accessible via the app.
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12月 23, 2024