FilterMorph AUv3 Audio Plugin против Stereo Delay Использование & Stats

This is a AUv3 compatible audio effect which can be used as plugin with your favourite DAW such as Cubasis, Meteor, Auria or GarageBand and NOT a standalone app. It supports a modern graphical interface and presets with stereo meters for monitoring signal levels. The FilterMorph is one of our most fun, interesting, experimental and yet incredibly useful AUv3 plugins to date. It takes the concept of a traditional audio filter and pairs it with overdrive, bit crunching and tape delay to perform some incredibly neat real-time or beat synced automation effects. At the heart of the effect are a set of transitional filters (low pass, high pass, band pass, notch and formant filter) which you can assign to the Cutoff Control. The twist here is that you can assign different filters to each end of the frequency spectrum and morph between them to achieve a much more interesting results. So for example you can use a LP filter for low frequencies and a BP filter for high frequencies, and the frequency dial will smoothly transition between the two. The main interface of the effect scrolls to reveal a set of two finger touch-pads, each of which responds to one of more fingers. Each pad can be assigned two of several parameters, one to the vertical axis, and the other to the horizontal. This allows you to control up to 4 knobs in real-time using only two fingers. A glide control allows you to control the rate of change so you can create those gentle sweeps without the effort. But it doesn't stop there... we also include effects such as overdrive, bit shifter and tape delay and these parameters can also be freely assigned to the finger pads. A configurable modulation section also allows you to automate panning or vibrato and assign various envelope shapes. Hold multiple fingers down on a pad and the play cursor will fly between your fingers at a specified speed. Press the HOLD button and you can then release your fingers and have them playback a set pattern. Press the SYNC TO BEAT button and the play cursor will move from one point to another at set beat intervals. Use the FOLLOW feature to follow finger movements etc. The build in Tape Delay allows control over delay time, feedback and level, but the advantage of this type of delay is you get the warping pitch shifting effects as you change the delay time. This allows for some very interesting effects, especially when applied to strings or held chords. This is an essential tool for those wanting to add a creative or experimental twist to any form of electronic composition, adding a few extra dynamics into your mix with very little effort. This is one of a suite of AUv3 compatible plugins which will also soon be available from 4Pockets.
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Blue Mangoo Stereo Delay is designed to be the go-to app a for simple, musically tasteful delay effect. The most unique feature is the way it handles panning of delayed echoes in the stereo field. Most stereo delays set different delay times for the left and right channels, resulting in the famous ping-pong effect. The problem with the ping-pong stereo delay sound is that it's too extreme, and our ears quickly tire of hearing the same pattern of left-then-right delay repeated hundreds of times. This plugin does it differently. Instead of setting delay taps at different times panned hard left or right, it always keeps the same delay time setting for both the left and right channels, but it has a unique mixing matrix controlling the feedback between the left and right channels so that each time the echo repeats, it appears in a new place in the stereo field. This is different from a simple panning delay, because older echoes and newer ones can simultaneously appear at different positions in the stereo field. The result is a very natural stereo echo that expands the stereo width of the sound but doesn't sound repetitive or electronic. It's constantly moving and changing. The wet signal output has low-cut and hi-cut filters. The hi-cut filter tones down the harshness of the delay and makes it sound like natural echoes. The low-cut is especially useful for applying delay without making things sound muddy. At extreme settings the low cut can achieve a lo-fi telephone like delay sound. The signal flow diagram is as follows: Filters => LFO controlled pan => Stereo Delay Lines => Mixing matrix => Feedback to Delay Lines The dry signal (not shown above) bypasses the entire effect. The key difference between this and other delays is the mixing matrix, which is similar to the ones used in feedback delay network reverb effects to mix between multi-channel delays without changing the volume of the sound. It is the matrix (not the LFO) that creates the illusion that the signal has moved to a different location in the stereo field each time it repeats through the delays. *** THIS IS AN AUDIO UNIT ONLY EFFECT. IT REQUIRES A HOST APP SUCH AS AUM, Audiobus, GarageBand, OR Cubasis. IT DOES NOT RUN AS A STANDALONE APP. ***
  • Apple App Store
  • Платный
  • Музыка

Рейтинг магазина

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FilterMorph AUv3 Audio Plugin vs. Stereo Delay ranking comparison

Compare FilterMorph AUv3 Audio Plugin ranking trend in the past 28 days vs. Stereo Delay

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Рейтинг FilterMorph AUv3 Audio Plugin против Stereo Delay в сравнении по странам

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FilterMorph AUv3 Audio Plugin VS.
Stereo Delay

декабрь 16, 2024