Sparkverb vs MagicDeathEyeStereo compressor Uso e estatísticas

Compatible with AUv3 host apps such as GarageBand, Auria, AUM, Cubasis and n-Track Pro. Sparkverb, the algorithmic reverb, redefined With a cutting-edge algorithmic design, Sparkverb breaks the boundaries of contemporary reverbs giving users modern and innovative controls that enhance usability, speed and creative freedom while delivering breathtaking sound quality and remarkable CPU efficiency. Whether you’re working with small ensembles, massive orchestras, sound design or anything in-between, Sparkverb offers a unique experience and innovative feature set that helps you work faster, smarter and more creatively than ever before. "Gorgeous! Loving all the different flavors of reverb algorithms that are in there. Really versatile and detailed!" - Richard Devine, Electronic Musician, Producer & Sound Designer "An amazing source of inspiration when looking for creative reverb sounds and special effects." - Fab Dupont, Grammy-award winning Mixing Engineer & Producer
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Almost a year after the highly celebrated publishing of the first MagicDeathEye plugin, it is now time to present the “bigger brother” of Ian Sefchick’s first creation to the world: meet MagicDeathEyeStereo, a tube compressor with an integrated EQ circuit designed especially for all your mastering needs. We have taken everything we’ve learned from the first version and created a true emulation of what can only be described as a very fine piece of audio hardware. While similar in their overall signature sound, both products have their own dedicated areas of expertise: the “mono” version (well, not actually mono in plugin format) more on individual tracks, the stereo version to glue the whole mix together, with an even smoother compression curve, and lots of little goodies that will help you finalize your mix. The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it! The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous!
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Sparkverb VS.
MagicDeathEyeStereo compressor

14ezembro d, 2024