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- BLEASS Arpeggiator
- BLEASS Arpeggiator Vs. Hilda Synthesizer
BLEASS Arpeggiator vs Hilda Synthesizer Usage & Stats
BLEASS Arpeggiator takes the inspirationally melodic power of a classic synth arpeggiator and supercharges it with modern features demanded by today’s musicians. Developed in collaboration with top French producer Canblaster, BLEASS Arpeggiator’s capabilities extend far beyond the clichéd up-and-down monophonic patterns of an old-school synth arpeggiator, with polyrhythms, polyphony, and a large collection of highly configurable arpeggio patterns built in.
The focus of BLEASS Arpeggiator is creativity and experimentation. The plugin’s hands-on user interface is as intuitive and spontaneous to use as a classic subtractive synth, so varying and adapting arpeggios on-the-fly is an easy, fun and organic experience.
The plugin recognises incoming performance controllers, and includes a pair of XY pads (huge fun on iPad!), a pair of advanced LFOs and BLEASS’ signature Motion Sequencer. These can modulate the arpeggiator’s parameters, unlocking a deep level of creativity that’s simply not available from modern step-sequencer-style arpeggiators.
BLEASS Arpeggiator also offers a built-in sound generator. This is a cut-down yet great-sounding FM synth that’s perfect for creating the kinds of bright, sweet and punchy sounds that can work so well with an arpeggio line. You can of course use BLEASS Arpeggiator with any other synth too, with each instance of the plugin creating its own MIDI source that can be bussed to any instrument within your project.
More information, technical specifications and tutorials available on https://www.bleass.com/arpeggiator
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Hilda is a Complex Oscillator Monosynth, inspired by the most interesting aspects of both west-coast and east-coast synthesis techniques. You'll find a wave folder, lowpass gate, and audio-rate modulations, but also a 12-mode filter and traditional VCA circuit. All parts of the instrument are carefully circuit-modelled to sound as analog (or digital, where applicable) as possible. It's like a best-of-all-worlds semi modular synth, but without the patch cables.
The unique mix of different synthesis components adds up to a unique sounding electronic instrument, which can be used as a playable synthesizer, a MIDI sequencer and an audio effect for external audio - or any combination of those three.
- Full Audio Unit compatibility (AUv3 instrument, audio effect and MIDI processor modes supported)
- Universal design (iPhone and iPad; iPad Air 2 or higher recommended)
- Built-in analog style 16 Step MIDI Sequencer with custom scales
- 12 mode filter, based on the Oberheim Xpander design
- Drone mode lets you [partially] bypass the VCA/LPG and just go with the flow
- DIY Lo-Fi digital delay circuit emulation
- Live pads with effects that can be triggered via the UI (or via exposed AU Parameters)
- All synth settings exposed a AU Parameters (for automation and MIDI learning in your host of choice)
- MIDI Processor plugin mode disables synth to save CPU
- Carefully handcrafted by yours truly, to capture the essence of my love for tinkering and experimenting with sound :-)
Find the user manual on ruismaker.com
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BLEASS Arpeggiator VS.
Hilda Synthesizer
novembre 26, 2024