ThermoSynth vs. Gong Amp Utilizzo e statistiche

Welcome to the politics of sound ! ThermoSynth is a self regulating hyper oscillator engine inspired by thermodynamic systems. ThermoSynth extends the classical oscillator concept, it is a generative synthesizer at the waveform level, which does not express only static / interference waveforms but also an evolution of a sonic structure by internal communication and its actions inside certain controllable margins.  The oscillator of ThermoSynth establishes its own engine environment and begin its signal path with a waveform generator ( pure mathematical, not samples nor optimized tables ) rendering basic waveforms and capable of morphing in between. The 4 oscillators of the Thermo are in continuous interaction sending each other their signals thanks to a 4X4 feedback matrix. Many type of changes in this system are introduced by the stochastic modulators which sonicLAB is known for and also by the user through some perturbations called the injections into the system. Each oscillator engine continuously checks its environment conditions and takes decisions, “self regulates”, in reaction to these changes applied. The result is unique never ending and never repeating drone synthesis, pure organic textures for electronic music; and hours can easily pass with experimenting on ThermoSynth. Detailed app description can be found at https://www.sonic-lab.com/thermo/ And you can download the manual here : https://www.sonic-lab.com/Thermo/Thermo-iOS_manual.pdf ThermoSynth is identical to the desktop sonicLAB Thermo version.  For external control, it comes with MPE support and sonicLAB high resolution rotary encoder midi mapping feature as on the desktop version.
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Gong Amp takes an exciting experimental amplifier from the beginnings of electronic music to the plugin world of today. Available as AUv3 and Standalone. In 1932, Maurice Martenot was looking for a way to make his groundbreaking proto-synthesizer “Ondes” audible beyond what could be archived with the horns and loudspeakers of the time. He developed a set of “diffuseurs”, of which the “Métallique” was one. Instead of a paper cone or horn, Martenot put a gong behind the amplifier circuitry. This seemingly simple idea resulted in resonances and brilliant overtones that excite audiences to this day. Using a complex mixture of convolution processing, physical modeling, and feedback systems, we created an instrument that is true to the responsiveness of the original and even transcends it in terms of sound design possibilities.
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ThermoSynth VS.
Gong Amp

15icembre d, 2024