ZOA — Living MIDI Sequencer vs. OtherDesertCities Utilizzo e statistiche
ZOA is a creative MIDI sequencer that is both immediate and immense.
ZOA uses a custom, musical implementation of John Conway’s Game of Life to generate melody, harmony, and rhythm. Up to four voices move through an evolving landscape of living cells, playing notes as they go. Each voice can move in a unique way, with its own pace and rhythmic pattern. ZOA includes unique features, such as note values based on the golden ratio for maximum generative fun.
Features:
- Interact with the Game of Life by touching the grid to toggle cell states
- Define your musical palette by configuring the grid settings
- Create a complex dance between four independent voices
- Free your hands to explore your synthesizers as ZOA plays them for you
- Includes ten factory presets to give you a feel for what ZOA is capable of
- Explore a focused, yet deep set of parameters
- Grid Settings
- Root note
- Octave shift
- Scale (see below for available scales)
- Octave range
- Game of Life Settings
- Grid size (8x8 and 16x16)
- Auto or manual generation advance
- Rate of new generations (in beat time from 16 bars to 32nd T)
- Auto or manual grid respawn
- Voice Settings
- Four voices with independent settings
- Enable/disable
- Rate of play (in beat time from 16 bars to 32nd T)
- Includes unique note values based on the Golden Ratio for maximum generative fun!
- Length of note (10% to 100%)
- Variety of rules for moving through grid (see below for list)
- Pitch offset
- Unique pattern control for creating rhythms and polymeters, now with step options
- Easily add holds, ties, accents (positive and negative!), ratchets, and trig conditions
- MIDI velocity and channel
- Flexible Connectivity
- Use in a compatible audio unit host like AUM, or in standalone mode
- Control multiple instruments at once with five MIDI outputs
- One for all voices together, and one for each voice by itself
- Set the key and octave shift on the fly with MIDI input
- Sync to the tempo of other devices using Ableton Link or MIDI clock (standalone)
- Send MIDI clock to external synths (standalone, experimental feature)
- Connect to Bluetooth MIDI devices
- Modulate ZOA's parameters in a compatible AUv3 host (audio unit)
- Eight unique MIDI CC outputs derived from ZOA’s game of life simulation
- Population density, fertility, mortality, stability, and per-voice random
- Includes macOS app!
IMPORTANT:
ZOA can be used as a standalone app or as an AUv3 plugin. There are some important differences between the two. The standalone app features a simple, toggleable "Sidekick Synth" so you can quickly experiment with ZOA. Of course, you can also send MIDI from the standalone app. Meanwhile, the ZOA AUv3 plugin does NOT generate sound. Instead, you use it to send MIDI (note messages) to other apps, plugins, or hardware instruments that do the actual sound generation. AUv3 plugins must be used inside a compatible host.
Available Scales
- Major Pentatonic, Minor Pentatonic, Major, Dorian, Phrygian, Lydian, Mixolydian, Minor, Locrian, Blues, Whole Tone, Harmonic Minor, Melodic Minor, Chromatic, Diminished, Whole Half, Spanish, Super Locrian, Bhairav, Hungarian Minor, Minor Gypsy, Augmented, Prometheus, Pelog, Major Hexatonic, Minor Hexatonic, Hirojoshi, In Sen, Iwato, Kumoi
Available Voice Rules
- Up, Down, UpDown, DownUp, First, Last, Random, Walk, Rise, Fall
View manual: https://www.audiosymmetric.com/manuals.html
View tutorials: https://www.youtube.com/channel/UC9Uka-nFom-pgTB-DftgDvA
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Other Desert Cities, named after a famous sign on the I-10 highway leaving Los Angeles, is a workshop for creativity. As its namesake implies, there are many strange and wonderful things lurking inside. With six algorithms, each with its own unique personality, and extensive modulation capabilities, Other Desert Cities can fill multiple niches, from basic stereo dual delays to never-before-heard granular pitch-shifting chaos.
Algorithms
Desert Shores Stereo Delay. This is a standard dual delay, with basic EQ, saturation, crossfeed, and spread.
Mecca Reverse Delay. A normal dual delay, except the repeats play backwards.
Cactus Dual-Delta Delay. This is more like a pair of tape delays in use, with individual speed controls and pitch quantizing.
Thermal Mullti-Tap Delay. A dual multi-tap, with spread, crossfeed, and basic EQ.
Mirage Multi-Head Delay. Imagine if you had a tape delay, but the head was like the rotating head in a VCR. Experimental, strange, and wonderful.
Sky Valley Granular Delay. A pitch-shifting granular delay, with control over grain size and scatter, and with EQ.Algorithms:
Modulation
Other Desert Cities includes a full suite of modulation. Using two tempo-synced variable waveshape LFOs and an envelope follower sourced by either the main inputs or a sidechain input, nearly every control in the entire user interface can be modulated extensively, opening up new dimensions of sonic possibility.
Diffusor
Other Desert Cities also includes a diffusor, for "smearing" the feedback path, and bringing ODC near the realm of reverb (especially with the Thermal multi-tap algorithm.)
Levels
Other Desert Cities' secret superpower is its I/O control. Every aspect of the signal chain's gain structure can be controlled and modulated. You don't have to wish for ducking in this delay. Anything can be ducked, panned, oscillated, enveloped, and controlled to your heart's content. Note that the Mute and Input Level controls are input levels to the delay block and do not affect the dry signal; this enables "tails" behavior, and the ability to use an insert effect like a send.
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ZOA — Living MIDI Sequencer VS. 
OtherDesertCities13icembre d, 2024