Tape Pro vs FAC Medusa Utilisation & Stats

Tape Pro is a multi-fx tape emulation AUv3 plugin and app that introduces warmth, frequency shaping, modulation, noise and delay. Whether you want to accurately replicate a microcassette tape running at 1.2cm/s, or you want to drive a mastering grade tape machine with strange distortion shapes into a high feedback delay engine, Tape Pro is the plugin for the job. Saturation The saturation module is the first part of the signal chain within Tape Pro. It’s very flexible as it isn’t restricted to the traditional sound of tape and can be used to tune into your desired distortion sound. The module has 5 user parameters: Type, Drive, Asymmetry, Hysteresis and Remanence. The types of saturation on offer are: Tape, Digital, Rectify, Half-Rectify, Sine & Smooth. Response The response module within Tape Pro models the dynamic frequency response of tape. This can bring warmth, presence, or even jarring qualities to your audio - this is entirely subjective of course! The module has 3 user parameters: Type, Low Pass & High Loss. Tape Pro includes the following impulse responses: Cassette Type 1, Cassette Type 2, Cassette Type 4, Worn Copi-Delay, New Copi-Delay, Mod Copi-Delay, Master SA812, Master TM15, Microcassette 1.2cm/s, Microcassette 2.4cm/s, Semi-Pro RB77 7.5ips & Semi-Pro RB77 15ips. Tape Pro also includes Minimum Phase (MP) versions of the IRs listed above (not including the copi-delay versions). If you are using Tape Pro in parallel, on a bus or on a send, we recommend that a minimum phase IR is used. (For more information on this please see the explanation in the manual available from our website). Noise The Noise module applies real, sampled tape noises to the signal chain. The module has 4 user parameters: Type, Pre/Post Delay, Gain & Crosstalk. The noises included are the same as listed above in the response module. Wow & Flutter The Wow and Flutter module emulates the natural irregularities in the physical medium of tape. Wow recreates the low speed fluctuations of tape speed, while Flutter recreates the high speed fluctuations. The modules have 10 parameters in total. Wow: Depth, Sync, Rate, Mod, Sync x2 and Mod Rate. Flutter: Depth, Rate, Mod, Mod Rate. Delay The Delay module is an emulation of an analogue tape delay machine. The module has 11 user parameters: Dry, Wet, Time L, Time R, Feedback L, Feedback R, Portamento, Enable, Initial, Sync and Link. Tape Pro is both a stand-alone application as well as an AUv3 plugin, meaning it works within iOS and iPadOS hosts such as GarageBand.

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FAC Medusa

• Gentle, natural, or aggressive and colorful compressor • Combine different dynamic processors into a single and easy to use unit • 3-Band input tone controls with adjustable crossovers and saturators • Split/Sum frequency bands before compression • Two dynamic controls: Downward or Upward • Range and knee controls to limit compression depth • Parallel compression and master Brickwall limiter • Sidechain and multi-outs support • Precise metering with decibel values • Advanced Responsive Design, portrait and landscape views • AuV3 for iOS (iPad/iPhone) Compressors are probably the most used audio processors and you surely know what it's all about and how it can help to control the dynamic range of your audio signal. So let's get straight to what makes FAC Medusa a new versatile and characterful compressor! FAC Medusa combines different dynamic processors into a single and easy to use unit, the input signal flows along the following stages: 1) "Pre-amp with tone control and saturation circuit" The input signal is split into three bands of frequencies (Low, Mid and High) according two adjustable crossover points. Setting the level and the saturation amount of each frequency band will definitely make the effect more natural or characterful. 2) "Compression" In addition to the usual controls you may expect, FAC Medusa also provides two types of compression. Downward compression, which is obviously the most common, decreases the level of audio signal above the threshold. And also Upward compression which is less known, despite powerful, and increases the level of audio signal below the threshold. The compression can operate either on the SUM of the frequency bands (L+M+H) or on each frequency band coming from stage 1. 3) "Parallel compression and Brickwall limiter" The master Brickwall limiter is optional and will ensure that the output of stage 2, possibly blended with the original audio signal, remain under control. The limiter comes with threshold and release time controls. As you have realized FAC Medusa has many faces: gentle, natural, or aggressive and colorful. Choose the one you want and be prepared for an exciting sound design experience. Whether you are a budding music producer or passionate amateur musician in any genre, you will definitely find a happy use for it! - AuV3 and Standalone App - To use the sidechain and/or to output the additional three bands, you need a host able to provide to the AuV3 an input bus and three additional output busses The documentation is available at fredantoncorvest.com/FAC_Medusa.html