Tape Pro vs FAC Alteza Utilisation & Stats

Tape Pro is a multi-fx tape emulation AUv3 plugin and app that introduces warmth, frequency shaping, modulation, noise and delay. Whether you want to accurately replicate a microcassette tape running at 1.2cm/s, or you want to drive a mastering grade tape machine with strange distortion shapes into a high feedback delay engine, Tape Pro is the plugin for the job. Saturation The saturation module is the first part of the signal chain within Tape Pro. It’s very flexible as it isn’t restricted to the traditional sound of tape and can be used to tune into your desired distortion sound. The module has 5 user parameters: Type, Drive, Asymmetry, Hysteresis and Remanence. The types of saturation on offer are: Tape, Digital, Rectify, Half-Rectify, Sine & Smooth. Response The response module within Tape Pro models the dynamic frequency response of tape. This can bring warmth, presence, or even jarring qualities to your audio - this is entirely subjective of course! The module has 3 user parameters: Type, Low Pass & High Loss. Tape Pro includes the following impulse responses: Cassette Type 1, Cassette Type 2, Cassette Type 4, Worn Copi-Delay, New Copi-Delay, Mod Copi-Delay, Master SA812, Master TM15, Microcassette 1.2cm/s, Microcassette 2.4cm/s, Semi-Pro RB77 7.5ips & Semi-Pro RB77 15ips. Tape Pro also includes Minimum Phase (MP) versions of the IRs listed above (not including the copi-delay versions). If you are using Tape Pro in parallel, on a bus or on a send, we recommend that a minimum phase IR is used. (For more information on this please see the explanation in the manual available from our website). Noise The Noise module applies real, sampled tape noises to the signal chain. The module has 4 user parameters: Type, Pre/Post Delay, Gain & Crosstalk. The noises included are the same as listed above in the response module. Wow & Flutter The Wow and Flutter module emulates the natural irregularities in the physical medium of tape. Wow recreates the low speed fluctuations of tape speed, while Flutter recreates the high speed fluctuations. The modules have 10 parameters in total. Wow: Depth, Sync, Rate, Mod, Sync x2 and Mod Rate. Flutter: Depth, Rate, Mod, Mod Rate. Delay The Delay module is an emulation of an analogue tape delay machine. The module has 11 user parameters: Dry, Wet, Time L, Time R, Feedback L, Feedback R, Portamento, Enable, Initial, Sync and Link. Tape Pro is both a stand-alone application as well as an AUv3 plugin, meaning it works within iOS and iPadOS hosts such as GarageBand.

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FAC Alteza

• Exospheric stereo reverb with ultra low latency pitch shifting • Amazingly lush, dreamy and beautiful • Shimmer kind effect, harmonizer • Unique feedback processor and fine tuning of the All-Pass delays • High-pass filter and stereo width input controls, separate Dry/Wet outputs • Sidechain input to duck the reverb • Multiple outputs, extra output bus to route the feedback signal to your own fxs • Advanced Responsive Design, portrait and landscape views • iOS Audio Unit V3 - Universal (iPad/iPhone) Designed for ethereal lush sound textures and dreamy space reflection, FAC Alteza is the perfect solution to bring your instruments to heaven in no time. Thanks to a powerful feedback section containing, inter alia, two pitch shifters, the unit is able to deliver the very typical "Shimmer" sound kind effect very much prized by musicians that are making ambient music, or any kind of music that needs to be carried by a fabulous angelic evolving choir section. FAC Alteza is definitely not "another shimmer reverb..." effect because it comes with additional parameters that make it very versatile. A particular attention to each part of the signal path was necessary to reach this level of high-end quality. Here some features that make FAC Alteza an outstanding unit: • the input signal is not monoized by default, a knob allows to control the width of the input stereo image before reaching the reverb • the topology of the effect, based upon a series of All-Pass delays, allows to control the intrasec characteristics of the reverberation • the number of All-Pass delays per stage and the echo density are alterable in the main section and in the feedback section • two ultra low latency pitch shifters deliver progressive pitch-shifting of the reverberation tail or the input signal • the feedback section contains a blend knob to control how much of the original signal is mixed with the feedback reverb • the wet signal can be ducked by an external signal provided by the host - AuV3 and Standalone App - To use the sidechain and/or to output the additional feedback signal, you need a host able to provide to the AuV3 an input bus and an additional output bus. The documentation is available at fredantoncorvest.com/FAC_Alteza.html