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MagicDeathEyeStereo compressor im Vergleich zu Spatializer Nutzung und Statistiken
Almost a year after the highly celebrated publishing of the first MagicDeathEye plugin, it is now time to present the “bigger brother” of Ian Sefchick’s first creation to the world: meet MagicDeathEyeStereo, a tube compressor with an integrated EQ circuit designed especially for all your mastering needs. We have taken everything we’ve learned from the first version and created a true emulation of what can only be described as a very fine piece of audio hardware. While similar in their overall signature sound, both products have their own dedicated areas of expertise: the “mono” version (well, not actually mono in plugin format) more on individual tracks, the stereo version to glue the whole mix together, with an even smoother compression curve, and lots of little goodies that will help you finalize your mix.
The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it! The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous!
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Spatializer is a great choice if you want to widen your sounds but need to avoid:
• phase smearing in the mono mix
• phasing / comb filter effects (from asymmetric channel delays)
• or any changes to the mid channel or mono mix
Spatializer can also be combined with other effects, for example it's excellent for augmenting larger-scale reverbs by adding earlier reflections, moving the listener closer to the virtual sound source.
Key features include:
• Linear phase mid channel
• Synthesis of side channel information where there was none
• Built-in multiband transient shapers for delivering a more focused response by suppressing outlier reflections
• Multiple visualization options: Directional RMS distribution, Front / Back balance, Position and motion
• Effects can range from close-proximity / spatial audio effects to larger acoustic space reflections
• Frequency response is optimized to maximize flatness, balancing the spectral density of Left, Right, Side channels
Our selection of subtly tuned presets and the combined psychoacoustic properties of the above features give more leeway to easily experiment with kinds of source material that have traditionally presented difficulties, like tracks with prominent LF content.
Due to its ability to provide subtle and focused responses, as well as good spectral density characteristics, Spatializer is also suited to be included in master bus effects chains.
In multi-track setups it can be used in parallel with other positioning methods to bring more variation to the sound stage or to provide additional ways to adjust the mix.
For audio demos, visit:
www.quantovox.com/sp
PLEASE NOTE:
• AUv3-compatible host application required
• Supported sampling rates: 22.05, 44.1, 48, 96 kHz.
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MagicDeathEyeStereo compressorvs. Spatializer Ranking-Vergleich
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MagicDeathEyeStereo compressor im Vergleich zu Spatializer Ranking im Ländervergleich
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MagicDeathEyeStereo compressor VS.
Spatializer
Dezember 18, 2024